Arquitectura Urbana

In an interview with the New York Observer several months ago, the Atlantic Yards’ landscape architect Laurie Olin dismisses the common stigma against superblocks as clichéd “1960s language.” His own arguments for them, however, echo the naïve idealism of planners from that very era. “If I put a street through here,” he states, “[then] I have less space for people and I have more cars… When people say ‘superblock’— what’s wrong with what this is? Because I don’t see how adding one car in here is going to make it a better space. I think space on streets is actually useless space.”

The current plan for Atlantic Yards involves the demapping of several streets and the creation of a residential superblock. Site Plan via Atlantic Yards Report.

The superblock, put very simply, is a development form larger than a traditional city block. According to civic-minded urban theorists in the mid-20th century, residents of superblocks would be liberated from cars in their everyday life, living freely as denizens of self-sufficient pedestrian communities. The scale of these superblocks, wrote Bauhaus urban planner Ludwig Hilberseimer, would allow them to “preserve an organic community life” in the face of automobile-based cities of the future. (The Nature of Cities, 1955.)

Concept for Heerstrasse and University of Berlin, 1937. Ludwig Hilberseimer. Scanned from The American City: What Works, What Doesn’t by Alexander Garvin. Hilberseimer worked with Mies van der Rohe on the United States’ most successful superblock project: Lafayette Park in Detroit.

In practice, completed superblock projects rarely approach Hilberseimer’s utopian vision: for the most part, superblock projects are boring and institutional. At worst, the designs encourage crime and neglect.

The NYU Silver Towers project north of Houston between Mercer and LaGuardia demonstrates the detrimental effect that the demapping of streets to create superblocks can have on the public realm. Despite an elegant design by I.M. Pei and a plaza with public art by Picasso, the modest superblock is a dead zone in the Village’s otherwise vibrant public realm. Compared to neighboring SoHo – which has streets filled with a jumble of people and uses – the Silver Towers are a public realm failure.

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